Using Complex Set Theory for Tonal Analysis: an Introduction to the Tonalities Project
Identifieur interne : 000730 ( Main/Exploration ); précédent : 000729; suivant : 000731Using Complex Set Theory for Tonal Analysis: an Introduction to the Tonalities Project
Auteurs : Anthony PopleSource :
- Music Analysis [ 0262-5245 ] ; 2004-07.
English descriptors
- Teeft :
- Adjacency, Anthony pople, Atonal, Atonal analysis, Atonal music, Blackwell, Blackwell publishing, Cambridge university press, Candidate prolongations, Chamber symphony, Chord, Chord deferral, Chord function, Chord functionality, Chord intersection point, Chord intersection points, Chord notes, Chord recognition, Common notes, Common practice, Connective, Connective gamut, Connective gamuts, Connectivity, Default, Default function, Default functionality, Deferral, Diatonic, Dissonance, Dissonance analysis, First segment, Full chord, Function association, Functionality, Gamut, Harmonic, Hypothetical prolongations, Inclusion, Inclusion conditions, Inclusion relationship, Inclusive, Integer value, Language settings, Lerdahl, Lowest chord note, Major gamut, Major triad, Memory trace, Minor gamut, Minor gamuts, Minor triad, Music analysis, Music perception, Music theory, Musical language, Musical situation, Musical texture, Mystic chord, Neutral weight, Octatonic, Operational component, Other hand, Other words, Oxford university press, Pitch data, Poor bass note, Pople, Preference criterion, Previous segment, Prolongation, Recognisable, Referential, Referential form, Root associations, Same chord, Same tonic, Schenkerian, Schenkerian analysis, Schoenberg, Segment, Segmentation, Software, Software implementation, Special values, Straus, Subdominant, Subset, Sus4 definitions, Tonal analysis, Tonal music, Tonal pitch space, Tonalities project, Tonalities software, Tonalities system, Tonality, Tonic, Triad, Tristan, Tristan chord, Unspelled.
Url:
DOI: 10.1111/j.0262-5245.2004.00201.x
Affiliations:
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Le document en format XML
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